The final act is primarily a courtroom sequence that relies on some familiar tropes, and it’s here that the film comes closest to exploiting the disorder. Although Ji-Woo is portrayed as being on one of the more extreme ends of the spectrum, playing up the physicality of flat speech of the disorder, there is a studied subtlety to her performance that is exhibited in non-verbal responses to Soon-Ho’s questioning. This is all supported by an excellent performance from the young actor Kim Hyang-Gi, who has most recently starred in a prominent role in the Along with the Gods series. The film is careful to take its time to study Ji-Woo’s intelligence and logical responses, along with her audio/visual sensitivities. While the actual defence plot may leap over the bounds of believability, mostly because the defence case never feels like it is ever on terribly solid ground to begin with, the strength of Moon Ji-Won and Lee Han’s ( A Melody to Remember) screenplay lays in the interplay between the two leads. As the investigation continues, Soon-Ho has his assumptions tested and learns something about her condition in the process. The only witness to the crime is a Ji-Woo (Kim Hyang-Gi), a schoolgirl with autism. Struggling lawyer Soon-Ho (Jung Woo-Sung) takes on a seemingly hopeless defence case of a woman accused of murdering an old man. INNOCENT WITNESS (증인) attempts to tackle this within the construct of a courtroom drama with surprisingly strong results. While the country has one of the more prevalent rates of diagnoses, numerous sources speak to the massive social stigma attached to the developmental disorder. Top performances all around.Īutism in South Korea is not an easy topic to tackle. A surprisingly sensitive treatment of autism that also posits the radical notion that lawyers are also humans.
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